Bring History to Life with Our Authentic Martin Luther Handwriting Font.

Features of the Font

Getting started

What does Martin Luther’s handwriting actually look like?


Gothic vs. Humanist cursive

In his German and Latin writings Luther used two distinctive scripts, namely a German and Latin one. His German texts are written predominantly in gothic cursive, his Latin texts predominantly in humanist cursive.

We are used to thinking of ‘o’ as a round letter, but in Luther’s gothic script it can be angular.

In line 13 of Luther’s draft the ‘o’ in the word ‘gott(es) is in the form of an upside-down triangle, in which the pen stroke is repeatedly fractured. Sometimes also the loops in b and l are triangular in shape (‘endlich bleybe’, line 11). These letter forms may reflect a partial influence of the so-called Bastarda, a more calligraphic version of the gothic cursive.

Another typical example of fracture is Luther’s writing of minuscule ‘g’ (‘gottes’, line 2)

He begins with an oblique downstroke, continues with a sharp angle and an upstroke, and then makes a further sharp angle into a downward loop, which curls up and eventually runs out along the ‘roof’ of the ‘g’. In the minuscule ‘d’ (‘vnnd’, line 1), fracture can also be seen in the lower part of the letter.


In Luther’s draft speech, individual letters occur which are clearly from his Latin cursive script.

It is particularly with majuscules (capital letters) that, even in his German texts, Luther prefers the clear, humanist forms – in this text the letters ‘A’, ‘M’, ‘H’, and ‘V’ (lines 1, 3, 9, 12, and 18), which are often easier to write than the loopier, squigglier gothic forms.


The “&
For ‘et’ Luther employs the conventional humanist cursive sign corresponding to our ‘&’, with a peculiarity which was not, in fact, unique among those around him, in that he generally writes the grapheme in two parts, with an alpha shape underneath and a small circle (rather than a loop) on top, although sometimes both parts are written in a single stroke.


→ See “comparing handwriting and font below for additional details.

Quality Check — ✔︎ Comparing handwriting and font.

Creating an authentic handwriting font requires a careful and thorough process of comparing the digital version to the original to ensure accuracy and capture the author’s unique style. Here you see the original manuscript compared with the same text set in the font. These comparing documents are an essential feedback tool used in development process.

The development is not always a straightforward process. Often, there is a going back and forth to make improvements. The original analog version serves as a benchmark to measure progress.


Font Updates

  1. Creating a font based on Martin Luther’s 500 year old handwritten letters. https://www.kickstarter.com/projects/2108133360/martin-luther-handwriting-font-here-i-write/description ↩︎